moved files to subdirs; example images; finished man

1 files changed, 0 insertions, 777 deletions

diff --git a/letterspace.tex b/letterspace.tex
deleted file mode 100644
index 0e9d472..0000000
--- a/letterspace.tex
+++ /dev/null
@@ -1,777 +0,0 @@
-\usemodule [letterspace]
-
-\defineletterspace [largecaps]
-\setupletterspace  [largecaps] [
-  factor=.2,
-  spaceskip=.3em,
-  suppresskern=yes,
-]
-
-\defineletterspace [mediumcaps]
-\setupletterspace  [mediumcaps] [
-  factor=.25,
-  spaceskip=.5em,
-  suppresskern=yes,
-]
-
-\defineletterspace [smallcaps]
-\setupletterspace  [smallcaps] [
-  factor=.05,
-  spaceskip=.25em,
-  suppresskern=yes,
-]
-
-\defineletterspace [textemph]
-\setupletterspace  [textemph] [
-  factor=.125,
-  spaceskip=.33em,
-  suppresskern=no,
-]
-
-\defineletterspace [slightly]
-\setupletterspace  [slightly] [
-  factor=.075,
-  spaceskip=.33em,
-  suppresskern=no,
-]
-
-\let\te\textemph
-\unexpanded\def\name#1{\smallcaps{\sc#1}}
-
-\defineletterspace [ugly]
-\setupletterspace  [ugly] [
-  factor=.4,
-  spaceskip=1em,
-  suppresskern=no,
-]
-
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% Font Setups                                                   %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-\definefontfeature [default] [default] [
-  protrusion=quality,
-  expansion=quality,
-  mode=node,
-  script=latn,
-  onum=yes,
-  dlig=yes,
-  liga=yes,
-  kern=yes,
-]
-
-\definefontfeature [kerning] [kern=yes]%
-
-\usetypescript [modern]
-\usetypescript [antykwa-poltawskiego]
-\setupbodyfont [antykwa-poltawskiego,10pt]
-
-\usetypescript [serif] [hz] [highquality]
-\setupalign    [hanging,hz]
-
-\setupbodyfontenvironment [default] [12pt] [interlinespace=15pt]
-\setupbodyfontenvironment [default] [11pt] [interlinespace=13pt]
-\setupbodyfontenvironment [default] [10pt] [interlinespace=12pt]
-\setupbodyfontenvironment [default] [9pt]  [interlinespace=11pt]
-\setupbodyfontenvironment [default] [8pt]  [interlinespace=10pt]
-
-\setupbodyfontenvironment [default] [em=italic]
-
-\def\quote#1{\bgroup\italic#1\egroup}
-\def\uprightslash{\bgroup\tf/\egroup}
-\def\uprightomiss{\bgroup\tf[\dots]\egroup}
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% Presenting the Interface                                      %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-\usemodule  [int-load]
-\loadsetups [t-letterspace.xml]
-
-\define\beautifyshowsetups{%
-  \unexpanded\def\setupnumfont  {\rm}%
-  \unexpanded\def\setuptxtfont  {\rm}%
-  \unexpanded\def\setupintfont  {\rm\sc\Word}%
-  \unexpanded\def\setupvarfont  {\rm\it}%
-  \unexpanded\def\setupoptfont  {\rm\it}%
-  \unexpanded\def\setupalwcolor {gutenred}%
-  \unexpanded\def\setupoptcolor {gutenred}%
-  \defineframedtext [setuptext] [
-    frame=off,
-    background=color,
-    backgroundcolor=gray:2,
-    width=\hsize,
-    height=fit,
-    align=right,
-    offset=0.75em,
-  ]%
-}
-
-\let\Oldshowsetup\showsetup
-
-\define[1]\showsetup{% hurray for diversity
-  \bgroup\beautifyshowsetups%
-    \Oldshowsetup{#1}%
-  \egroup%
-}
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% Paper                                                         %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-\definepapersize[LHS][
-  width=160mm,
-  height=239mm,
-]
-
-\setuppapersize[LHS][LHS]
-
-%\showframe
-\setuplayout [
-    width=122mm,
-    %textheight=199mm, % ca. 47 rows * 12pt
-    height=224mm, % text height should end up at ca. 47 rows * 12pt
-    %height=fit,
-    %  
-    topspace=14mm,
-    header=12pt,
-    headerdistance=4mm,
-    top=00mm,
-    %  
-    bottomspace=0mm,
-    footer=23mm,
-    bottom=0mm,
-    footerdistance=0mm,
-    %  
-    backspace=16mm,
-    leftedge=0mm,
-    leftedgedistance=0mm,
-    leftmargin=16mm,
-    leftmargindistance=1em,
-    %  
-    rightmargin=20mm,
-    rightmargindistance=2mm,
-    rightedge=0mm,
-    rightedgedistance=0mm,
-]
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% Interaction                                                   %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-\definecolor [gutenred] [x=bf221f] % rubrication from digitized_Göttingen Gutenberg bible
-
-\setupinteraction[%
-  state=start,
-  color=gutenred,
-  contrastcolor=gutenred,
-  %color=,
-  %contrastcolor=,
-  style=,
-  focus=standard,
-  title={Letterspace Module},
-  subtitle={Bringing Flow into Horizontal Spacing},
-  author={Philipp Gesang},
-  keyword={ConTeXt, LuaTeX, letterspacing, horizontal glue},
-]
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% Headings                                                      %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-\defineletterspace [LSchapter]
-\defineletterspace [LSsection]
-\defineletterspace [LSsubsection]
-\setupletterspace  [LSchapter]    [factor=.1,  spaceskip=.33em]
-\setupletterspace  [LSsection]    [factor=.15, spaceskip=.40em]
-\setupletterspace  [LSsubsection] [factor=.125,spaceskip=.33em]
-
-\def   \fontchapter#1{\setupbodyfont[11pt]\WORD\LSchapter{#1}}
-\def   \fontsection#1{\setupbodyfont[11pt]\word\sc\LSsection{#1}}
-\def\fontsubsection#1{\setupbodyfont[11pt]\LSsubsection{#1}}
-
-\def   \Chapterheadfontcmd{\fontchapter}
-\def   \Sectionheadfontcmd{\fontsection}
-\def\Subsectionheadfontcmd{\fontsubsection}
-
-\setuphead [chapter] [
-  align=middle,
-  footer=text,
-  grid=yes,
-  header=empty,
-  number=no,
-  page=yes,
-  style=,
-  textcommand=\Chapterheadfontcmd,
-  before={\startlinecorrection\blank[3*line,force]},
-  after={\stoplinecorrection\blank[line,force]},
-]
-
-\definetext [text] [footer] [pagenumber]
-
-\setuphead [section] [
-  align=middle,
-  number=no,
-  page=no,
-  style=,
-  textcommand=\Sectionheadfontcmd,
-  before={\blank[line]},
-  after={\blank[line]},
-]
-
-\setuphead [subsection] [
-  align=middle,
-  number=no,
-  page=no,
-  style=,
-  textcommand=\Subsectionheadfontcmd,
-  before={\blank[line]},
-  after={\blank[line]},
-]
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% ToC                                                           %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-\def   \tocfontchapter#1{\WORD\LSchapter{#1}}
-%\def   \tocfontsection#1{\word\sc\LSsection{#1}}
-\def   \tocfontsection#1{\slightly{#1}}
-\def\tocfontsubsection#1{\LSsubsection{#1}}
-
-\setuplist [chapter] [
-  alternative=b,
-  textcommand=\tocfontchapter,
-]
-
-\setuplist [section] [
-  alternative=c,
-  interaction=text,
-  margin=2em,
-  numberstyle=,
-  textcommand=\tocfontsection,
-  textstyle=,
-]
-
-\setuplist [subsection] [
-  %after=2.5em,    % from the hack
-  alternative=d,
-  interaction=text,
-  margin=3em,     % hanging
-  textcommand=\tocfontsubsection,
-]
-
-\setuplistalternative[c] [
-  %distance=0em,
-  %width=0pt,
-  stretch=.5em,
-  command=\hskip.5em\phglistdots\hskip.5em\relax,
-]
-
-\def\phglistdots{\gleaders\hbox to 1em{\hss.\hss}\hfill}
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% Bibliography                                                  %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% Bib: Setups                                                   %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-\setuppublications [
-  alternative=ssa,
-  refcommand=authoryear,
-  %sorttype=bbl,
-  sort=author,
-  numbering=yes,
-  autohang=yes,
-]
-
-\setuppublicationlist [
-  artauthor=\invertedauthor,
-]
-
-\setupcite [authoryear] [compress=no]
-
-%%% Used in bibliography formatting.
-\definestartstop [bibindent] [
-  before={\startnarrower[left]%
-          \setupindenting[-\leftskip,yes,first]%
-          \clubpenalty-9000%
-          \widowpenalty-9000%
-          },  
-  after=\stopnarrower,
-]
-
-\unexpanded\def\ctay#1{\cite[authoryear][#1]}
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% Bib: Entries                                                  %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-\startpublication [
-  k=lt,
-  t=book,
-  a={{Willberg/Forssman}},
-  y=1997,
-  %n=1,
-  s={Lesetypographie},
-]
-  \author[]{Hans Peter}[]{}{Willberg}
-  \author[]{Friedrich}[]{}{Forssmann}
-  \pubyear{1997}
-  \title{Lesetypographie}
-  \city{Mainz}
-\stoppublication
-
-\startpublication [
-  k=mt,
-  t=book,
-  a={Bodoni},
-  y=1818,
-  %n=1,
-  s={Manuale},
-]
-  \author[]{Giambattista}[]{}{Bodoni}
-  \pubyear{1818}
-  \title{Manuale Tipografico, 2~vols}
-  \city{Parma}
-\stoppublication
-
-\startpublication [
-  k=bh,
-  t=book,
-  a={Bringhurst},
-  y=2008,
-  %n=1,
-  s={Elements},
-]
-  \author[]{Robert}[]{}{Bringhurst}
-  \pubyear{2008}
-  \title{The Elements of Typographic Style}
-  \edition{3.2}
-  \city{Point Roberts WA, Vancouver}
-\stoppublication
-
-\startpublication[
-  k=roemer,
-  t=article,
-  a={Roemer},
-  y=2011,
-  %n=3,
-  s={Gewichten},
-]
-  \artauthor[]{Christine}[]{}{Roemer}
-  \pubyear{2011}
-  \arttitle{Gewichten -- Wichtiges und Unwichtiges mit \LATEX\ markieren}
-  \journal{Die \TEX nische Komödie}
-  \volume{2011:1}
-  \pages{6--16}
-\stoppublication
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% Misc                                                          %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-\clubpenalty  -7000
-\widowpenalty -7000
-
-\def\etc{{\italic\letterampersand}c}
-
-\setupindenting [yes,next,medium]
-
-\useURL [leibnizausgabe] [http://www.leibniz-edition.de/Baende/] [] [Leibniz-Edition]
-\useURL [soulpackage] [http://ctan.larsko.net/macros/latex/contrib/soul/] [] [soul]
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% Makeup for Front Matter                                       %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-\definemakeup [FM] [standard]
-\setupmakeup [FM] [
-  width=125mm,
-  height=172.506mm,
-  location=middle,
-]
-
-\setupheadertexts [] [] [] []
-\setuppagenumbering [state=stop,location=]
-
-\starttext
-
-\startfrontmatter
-\setuplayout [width=middle]
-\startFMmakeup
-  \raggedcenter
-  \vfill
-  {\tfc\italic The}\par
-  \vfill
-  {\tfd\WORD\largecaps{Letterspace Module}}\par
-  \vfill
-  {\tfc\italic for {\CONTEXT} MkIV}\par
-  \vfill
-  {\tfa\sc \mediumcaps{A Contribution to Horizontal Movement}}\par
-  \vfill
-\stopFMmakeup
-\stopfrontmatter
-
-\page
-
-\useURL [phg-mail] [megas.kapaneus@gmail.com]   [] []
-\useURL [phg-bibu] [https://bitbucket.org/phg/] [] []
-\startstandardmakeup
-  \vfill\raggedright\tfx
-  © 2011-03-16 {\italic Philipp Gesang}, Heidelberg\par
-  The latest Version can be found at \from [phg-bibu].\par
-  Mail bugs and fixes or complaints and suggestions to \from
-  [phg-mail].\par
-\stopstandardmakeup
-
-\page [odd]
-\startbodymatter
-
-\setuppagenumber [number=1]
-\setuppagenumbering [
-  state=start,
-  alternative=doublesided,
-  location={right,header},
-]
-
-\setupheadertexts
-  [{\tfx\getmarking[title]}]    [{\pagenumber}]
-  [{\pagenumber}]        [{\tfx\getmarking[title]}]
-
-\title{Content}
-
-\placelist[chapter,section][criterium=all]
-
-\chapter{Introduction}
-
-Robert \name{Bringhurst} quotes Frederick \name{Goudy}’s famous
-dictum on the topic of letterspacing: \quote{A man who would
-letterspace lowercase would steal sheep.}\footnote{\ctay{bh},
-p.~31.}
-Likewise other judgements:
-\quote{Letter spacing is a form of markup particularly hard
-to handle, that only master typographers should get involved
-with.}\footnote{\ctay{lt}, p.~126.}
-And another:
-\quote{Letter spacing is disapproved of in the same way as of
-capitals \uprightomiss~.}\footnote{\ctay{roemer}, p.~10.}
-This module is partly a reaction on the excellent article the
-last quotation was taken from, and partly the endeavour of a
-convinced \CONTEXT\ user and letter spacer to replace a number of
-kludges already in use with something more consistent.
-To be sure, those warnings are grounded in facts and they should
-seriously be taken into account before one resorts to
-letterspacing.
-
-Before the advent of \LUATEX\ the implementation of proper letter
-spacing in *\TEX\ proved to be extremely difficult.
-For instance, the \from [soulpackage] package provides some means
-but at the same time severely limits the content passed to
-macros.
-Nevertheless there are magnificent examples of letterspacing done
-right, like the \from [leibnizausgabe] by the Leibniz-Archiv in
-Hanover that has been typeset with \smallcaps{EDMAC} and \PDFTEX.
-Nowadays the Lua node library removes the technical restrictions
-and thus leaves the task of correct letterspacing to the user.
-The \te{Letterspace} module for \CONTEXT\ was designed to collect
-everything necessary to achieve this and to make it accessible
-from one place.
-
-\chapter{Commands}
-
-Technically, the \te{Letterspace} module doesn’t do anything
-fancy; it just maps some existing \CONTEXT\ macros into a single
-setup and lets you define and configure your own derivatives of
-it.
-The module is supposed to be loaded the regular way: somewhere
-before \type{\starttext} should be the line
-\starttyping
-\usemodule [letterspace]
-\stoptyping
-\noindentation-- That’s all.
-
-\section{Default Letterspace Command}
-Initially one letterspace command is already defined and
-configured, as well as a letterspacing environment.
-They are now ready for use in running text.
-
-%\definecolor [prettyone]   [r=.6,g=.6,b=.6]  % red
-%\definecolor [prettytwo]   [r=.0,g=.6,b=.6]  % green
-%\definecolor [prettythree] [r=.6,g=.6,b=.6]  % blue
-%\definecolor [prettyfour]  [r=.6,g=.6,b=.6]  % yellow
-
-%\startTEX
-\starttyping
-\usemodule [letterspace]
-\starttext
-
-\startlines
-  uides ut \letterspace{alta} stet \letterspace{niue} candidum
-  Soracte
-\stoplines
-
-\startletterspace
-  \startlines
-    hac {\italic ait} in Thebas, hac me iubet ardua uirtus
-    ire, Menoeceo qua lubrica sanguine turris.
-    experiar quid sacra iuuent, an falsus Apollo.
-  \stoplines
-\stopletterspace
-
-\stoptext
-\stoptyping
-%\stopTEX
-
-\showsetup{letterspace}
-\showsetup{startletterspace}
-
-\section{Defining and Customizing Letterspace Commands}
-
-The \te{Letterspace} module allows the letterspacing to be
-adjusted via \te{three} parameters.
-The \type{factor} determines the value by which the
-\te{intra}word spacing (between letters) will be extended.
-\type{spaceskip} specifies a dimension for the \te{inter}word
-spacing and, if applicable, the surrounding spaces.
-\type{suppresskern} allows for disabling the letter kerning which
-can improve the spacing of capitals (see below,
-\at{p.}[suppresskern]).
-
-The following lines reconfigure the predefined
-\type{\letterspace} macro to behave in an extreme fashion.
-\starttyping
-\setupletterspace [
-  factor=2,       % default: 0.125
-  spaceskip=2em,  % default: 0.5em
-]
-
-\letterspace{vapula!}
-\stoptyping
-\showsetup{setupletterspace}
-
-The recommended alternative to constantly readjusting the base
-command is to define separate macros for different purposes.
-
-\starttyping
-\defineletterspace [LSbighead]
-\defineletterspace [LSemphasis]
-\defineletterspace [LSsmcp]
-
-\setupletterspace [LSbighead]  [factor=.2,   spaceskip=.7em, suppresskern=yes]
-\setupletterspace [LSemphasis] [factor=.111, spaceskip=.4em, suppresskern=no,]
-\setupletterspace [LSsmcp]     [factor=.06,  spaceskip=.4em, suppresskern=no,]
-
-\LSbighead{\bf\WORD This is a candidate for sectioning, innit?}
-\blank [line]
-
-\startlines
-  terrarum delicta nec exsaturabile \LSsmcp{\sc Diris}
-  \LSemphasis{ingenium mortale} queror, quonam usque nocentum
-  exigar in poenas! taedet saeuire corusco
-  fulmine.
-\stoplines
-\stoptyping
-
-These macros can subsequently accessed from whatever markup
-element requires letterspacing: section titles, front matter
-makeup, emphasis etc.
-
-\showsetup{defineletterspace}
-
-\chapter{Applications}
-
-\section{Precautions}
-
-\te{Letterspacing} is a dynamic property of a string of text, as
-opposed to static font properties that are e.g. italics or slant.
-In principle, when applying a letterspacing to text, the current
-font is not merely pushed back in favor of another font.
-Instead, the way of typesetting the same font is modified by
-certain parameters; in the case of the \te{Letterspace} module
-these are the \te{kerning} and the \te{interword space}.
-Therefore it exclusively depends on the correct adjustment of said
-parameters whether the letterspacing will achieve its purpose or
-not.
-On the other hand, external factors like harmonizing different
-typefaces, the font’s design size \etc. are ruled out as possible
-influences, which can be a great advantage if for example a font
-happens to lack a matching italic face for emphasizing.
-
-Due to its flexibility and because it poses relatively small
-demands on the typesetting environment, thoughtless letterspacing
-may easily ruin a product.
-Moderate values don’t express how important a particular emphasis
-is to the author? Just \ugly{widen the spacing} and no reader
-will ever skip over your message \dots.
-Sure, everybody will get the cue, though the appearance of the
-highlighted text, the paragraph, and possibly the whole page will
-certainly be spoilt.
-Granted, from this perspective letterspacing might appear to be
-too dangerous a tool, only begging for misuse.
-But this judgement is premature as letterspacing has in fact a
-long tradition and was employed in many outstanding examples of
-typography.
-Apart from its seductive versatility there are no objections
-against letterspacing on a general level, as long as it is
-carefully utilized.
-
-Letterspacing has two prevailing uses: ({\it1}) for emphases and
-({\it2}) for spacing capital letters, which is especially
-valuable in display situations like for instance the front matter
-of books or section headings.
-Both come with a set of peculiarities that the typesetter must
-consider in order to figure out the appropriate values for the
-interword and letter spacings.
-
-\section{Emphasis}
-Documents that require many levels of different emphases are
-among the primary targets of letterspacing.
-For example, in linguistics an author might wish to distinguish
-({\it1}) names of cited authors, ({\it2}) ordinary text emphasis,
-({\it3}) inline quoted passages, and ({\it4}) word forms or
-etymological roots.
-To be sure, this can be accomplished with a mapping like
-  {\it1}: small capitals,
-  {\it2}: italics,
-  {\it3}: quotation marks, and
-  {\it4}: a slanted face.
-But \te{quotation marks} are hard to keep track of, if the enveloped
-text exceeds a certain length; also, they disencourage skimming
-because the reader always has to check whether the point that
-caught his eye might belong to a quotation instead of the main
-text.
-In various fonts -- mainly sans serif -- \te{slant} cannot easily
-be told apart from italics, thus defeating the very purpose of
-emphasis, in other fonts it might not be available at all.
-\te{Bold face} might seem to be an obvious alternative but even
-semi bold weights cause text to stand out from the surrounding
-paragraph, diverting the readers attention away from its normal
-trail along successive lines.
-Besides, the more a text is intermingled with different weights,
-the closer it resembles the look of a dictionary.\footnote{%
-  \ctay{lt}, p.~122 distinguish \te{active} from \te{integrated}
-  markup.
-  Semi bold and underling belong to the former, italics and slant
-  to the latter.
-  As the effect of letter spacing heavily depends on the
-  environment, it may count as active when used as the only means
-  of emphasis.
-  However, in a “colorful” product with many different layers of
-  emphasis it might not stick out as much among the others and
-  thus count as integrated (cf. p.~126).%
-}
-
-After these deliberations the validity of \te{letterspacing,}
-including lower case, as a means of emphasis is already half
-established.
-It beats slant with respect to availability and differentiating
-effect.
-It is preferable over quotation marks because the emphasized
-passage clearly differs from the main font style.
-Finally, it triumphs over weight switching as the result is very
-close to the mean overall distribution of ink within the text
-body.
-In the previous graduation of emphasis levels an alternative
-involving letter spacing could be as follows:
-  {\it1}: small caps,
-  {\it2}: letterspaced text font,
-  {\it3}: italics, and
-  {\it4}: letterspaced italics or slants.
-Here another convenient feature of letterspacing becomes
-apparent: as it is basically a different method of typesetting
-the same font it can theoretically be applied on any typeface and
-weight.
-It follows, that in the foregoing mapping, parts of longer
-(italic) quotations may be emphasized as well:
-  \quote{%
-    regum timendorum in proprios greges {\uprightslash}
-    reges in ipsos imperium est \te{Iouis} {\uprightslash}
-    \te{clari} Giganteo triumpho {\uprightslash}
-    cuncta supercilio \te{mouentis.}%
-  }
-However, substituting rule {\it2} for {\it3}, the resulting
-mapping will be less satisfactory.
-As quotations are prone to extending over multiple lines, whereas
-normal emphasis rarely spans more than two words, spacing out
-the former might lead to the unbalanced appearance of paragraphs.
-So best avoid letterspacing in cases where the object possibly
-encompasses entire sentences.
-
-Caution is necessary concerning \te{punctuation} adjacient to the
-letterspaced passage.
-In contrast to italicized or bold emphasis where an immediately
-succeeding punctuation sign is best typeset in the surrounding
-main face (e.g. „et {\it tu}, Brute?“), letter spacing may
-require the sign to be typeset as part of the emphasis.
-The reason for this consists partly in the larger interword
-spacing that extends onto the surrounding spaces, and partly also
-on the letterspacing itself which would be disrupted by a
-tighter-spaced character.
-(Bad: \te{O Tite}, tute, \te{Tati}, tibi tanta, \te{tyranne}, tulisti;
-good: \te{O Tite,} tute, \te{Tati,} tibi tanta, \te{tyranne,} tulisti.)
-
-\section{Capital Spacing}
-\startbuffer [display:capitals]
-  \start%
-  %\setupbodyfont [modern,11pt]%
-  \setupbodyfont [11pt]%
-  \framed[
-    align=middle,
-    background=color,
-    backgroundcolor=gray:2,
-    offset=1em,
-    frame=off,
-  ]{%
-      \def\teststring{mispavayatsim}%
-      %\definefontfeature [capitals] [cpsp=yes,kern=yes]% how’s this supposed to work?
-      \bf%
-      {\color[gray:7]\WORD\teststring}\par
-      %{\setff{capitals}\WORD\teststring}\par % why doesn’t this have
-                                              %an effect with *any* font?
-      {\color[gray:8]\subff{kerning}\WORD\teststring}\par
-      {\color[gray:9]\largecaps{\WORD\teststring}}\par
-  }
-  \stop%
-\stopbuffer
-
-\starthangaround{\getbuffer [display:capitals]}
-Another natural use of letter spacing is to space out capitals and
-small caps, whose legibility suffers with increasing markup
-length.
-The appearance of capitals can be influenced in various ways, as
-demonstrated in the illustration to the left.
-In the first row, no modification is applied and the capitals are
-placed with full kerning.
-Row number two has the kerning removed and thus the distance between
-letters increases.
-The final row, as the second, lacks kerning and adds
-20\,\letterpercent\ letter spacing.
-\stophangaround
-
-As is apparent from the example, the difference in spacing
-particularly influences the outcome.
-The {\WORD unmodified text} in the first row is packed too
-tightly, whereas disabling the kerning results in irregular
-widening of the {\subff{kerning}\WORD previously kerned} letters
-near the center.
-In the third row the sequence looks much better because of
-additional \mediumcaps{\WORD letterspacing.}
-With some fonts \smallcaps{\sc small capitals} profit from additional
-spacing as well, as employed in the section headings of this
-document.\reference[suppresskern]{}
-The \te{Letterspace} module provides a switch \type{suppresskern}
-that, if set to {\it yes}, will disable kerning during
-letterspacing.
-This option is meant for the special treatment of capitalization
-but depending on the font it might equally help when dealing with
-emphasis as well.
-
-\title{References}
-
-\startbibindent
-  \placepublications[criterium=all]
-\stopbibindent
-
-\stopbodymatter
-\stoptext